Pauline kael sound of music review

What She Said The Art of Pauline Kael – first look review

pauline kael sound of music review

Pauline Kael (Creator) TV Tropes. 01/11/2005 · The Sound of Music... well, what can I say? And why should I bother? If any movie were ever critic-proof, it's this one. In fact, famed critic Pauline Kael was fired for daring to write a bad, Tagged by Roger Ebert as the most influential film critic of her day, the film investigates Pauline Kael's turbulent life and controversial work, through her published writing, letters, never-seen archival footage and interviews with friends and foes of her pen, including Quentin Tarantino and Camille Paglia..

Pauline Kael — Wikipédia

Kael Reviews geocities.ws. Kiss Kiss Bang Bang (1968) is Pauline Kael's second collection of reviews from 1965 through 1968, compiled from numerous magazines including The Atlantic, Holiday, The New Yorker, Life, Mademoiselle, The New Republic, McCall's, and Vogue.It features her review of The Sound of Music, which she notoriously dubbed "The Sound of Money," sparking outrage from loyal readers of McCall's., Read Movie and TV reviews from Pauline Kael on Rotten Tomatoes, where critics reviews are aggregated to tally a Certified Fresh, Fresh or Rotten Tomatometer score..

Directed by Rob Garver “The most powerful, loved, and hated film critic of her time.” – Roger Ebert on Pauline Kael (1919-2001). In a field that has historically embraced few women film critics, Kael was charismatic, controversial, witty, and discerning. Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. She was one of the most influential American film critics of her era.

Of course, I am not the first to criticize Pauline Kael, for she’s generated quite a few ‘enemies’ throughout her career. In 2004, for instance, Alan Vanneman published a short retrospective of her work [49] that covers her life, her creative troubles from the 50s onward, and her eventual breakthrough as a critic via a published collation of her reviews, which Vanneman quotes quite a bit Tagged by Roger Ebert as the most influential film critic of her day, the film investigates Pauline Kael's turbulent life and controversial work, through her published writing, letters, never-seen archival footage and interviews with friends and foes of her pen, including Quentin Tarantino and Camille Paglia.

15/12/2018 · By any reasonable critical analysis, The Sound of Music is a terrible movie. With its implausible screenplay, terrible acting, and sugar-shock mawkishness, it has all the earmarks of something that, despite its initial burst of popularity, would be forgotten by the passage of time. 16/01/2020 · Documentary on the life and writings of Pauline Kael, legendary film critic for The New Yorker magazine. Written and directed by Rob Garver. Opens Friday …

Pauline Kael was born in Petaluma, CA, in 1919, and attended the University of California at Berkeley in the 1930s. She tried and failed to work as a playwright in her 20s, and began writing film reviews as a freelance writer for film journals in the 1950s. Kiss Kiss Bang Bang (1968) is Pauline Kael's second collection of reviews from 1965 through 1968, compiled from numerous magazines including The Atlantic, Holiday, The New Yorker, Life, Mademoiselle, The New Republic, McCall's, and Vogue.It features her review of The Sound of Music, which she notoriously dubbed "The Sound of Money," sparking outrage from loyal readers of McCall's.

Tagged by Roger Ebert as the most influential film critic of her day, the film investigates Pauline Kael's turbulent life and controversial work, through her published writing, letters, never-seen archival footage and interviews with friends and foes of her pen, including Quentin Tarantino and Camille Paglia. 15/12/2018 · By any reasonable critical analysis, The Sound of Music is a terrible movie. With its implausible screenplay, terrible acting, and sugar-shock mawkishness, it has all the earmarks of something that, despite its initial burst of popularity, would be forgotten by the passage of time.

Each link contains between 20-30 reviews. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. Enjoy! (To view There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. In this week’s issue, I write about Pauline Kael, who was a New Yorker film critic from 1968 to 1991, and whose reviewing helped establish several movies of the late sixties and seventies as

The New Yorker’s film critic Pauline Kael (1919-2001), often considered the most influential of all time, battled to make her mark—fueled by brilliance, unshakable self-confidence, a complicated past, and a deep love of the arts. In a field that embraced few female critics, Kael was charismatic, controversial, witty and discerning. Fathers And Sons. by Pauline Kael. At the close of The Godfather, Michael Corleone has consolidated his power by a series of murders and has earned the crown his dead father, Don Vito, handed him.In the last shot, Michael — his eyes clouded — assures his wife, Kay, that he is not responsible for the murder of his sister’s husband.

Pauline Kael (June 19, 1919 – September 3, 2001) is one of the most famous and influential film critics of the twentieth century. She wrote film reviews of essay length for The New Yorker between 1968-1991 after which she retired. Her collected film reviews were … The Sound of Music was not the ill wind that Kael detected but the last gasp of the studio system’s belief in G-rated operettas of inspirational uplift.

Pauline Kael was born in Petaluma, CA, in 1919, and attended the University of California at Berkeley in the 1930s. She tried and failed to work as a playwright in her 20s, and began writing film reviews as a freelance writer for film journals in the 1950s. The New Yorker’s film critic Pauline Kael (1919-2001), often considered the most influential of all time, battled to make her mark—fueled by brilliance, unshakable self-confidence, a complicated past, and a deep love of the arts. In a field that embraced few female critics, Kael was charismatic, controversial, witty and discerning.

Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. She was one of the most influential American film critics of her era. 30/09/2019 · WHAT SHE SAID: THE ART OF PAULINE KAEL opens Wednesday, December 25 at Film Forum DIRECTED AND EDITED BY ROB GARVER “The most …

Roaring at the Screen With Pauline Kael The New York Times

pauline kael sound of music review

How The Sound of Music led the way for the critic-proof. In fact, in director Rob Garver’s What She Said: The Art of Pauline Kael, we are reminded that Kael saw critics as propagandists for the films they loved and were at risk of being overlooked by the public, and that she would frequently phone up her legion of reviewer disciples (affectionately known as “the Paulettes”) when she was particularly passionate about a movie and encourage them, 15/12/2018 · By any reasonable critical analysis, The Sound of Music is a terrible movie. With its implausible screenplay, terrible acting, and sugar-shock mawkishness, it has all the earmarks of something that, despite its initial burst of popularity, would be forgotten by the passage of time..

10 Movies Everyone Enjoys Except Pauline Kael – Page 2. 30/09/2019 · WHAT SHE SAID: THE ART OF PAULINE KAEL opens Wednesday, December 25 at Film Forum DIRECTED AND EDITED BY ROB GARVER “The most …, Pauline Kael was born in Petaluma, CA, in 1919, and attended the University of California at Berkeley in the 1930s. She tried and failed to work as a playwright in her 20s, and began writing film reviews as a freelance writer for film journals in the 1950s..

How The Sound of Music led the way for the critic-proof

pauline kael sound of music review

'Band of Outsiders' Review by Pauline Kael The New Republic. Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. She was one of the most influential American film critics of her era. https://en.wikipedia.org/wiki/Talk:Pauline_Kael Le réalisateur Quentin Tarantino a avoué lors du Festival de Cannes 2008 que Pauline Kael avait été sa « professeur de cinéma » alors qu'il n'était qu'un adolescent [5]. Pauline Kael décrivit en 1968 le cinéma hollywoodien par une expression devenue célèbre : "Kiss kiss bang bang" [réf. souhaitée]..

pauline kael sound of music review

  • Pauline Kael Movie Reviews & Previews Rotten Tomatoes
  • Pauline Kael one of film’s worst and most ridiculous critics.
  • Pauline Kael’s scathing review of The Sound of Music

  • 2 hours ago · Pauline Kael’s scathing review of The Sound of Music, which led to her firing, illustrates what important principle for critics? And the most powerful of those critics was Pauline Kael, who held sway with a sharp tongue and corrosive wit at the New Yorker from 1967 to 1989. To see Rob Garver’s affectionate documentary about her career, “What She Said: The Art of Pauline Kael,” is to be once again swept away by the excitement of cinema as she experienced it.

    Pauline Kael (June 19, 1919 – September 3, 2001) is one of the most famous and influential film critics of the twentieth century. She wrote film reviews of essay length for The New Yorker between 1968-1991 after which she retired. Her collected film reviews were … The script by Walter Bernstein isn't up to the look of the film, and the music by Henry Mancini is so repetitive that by the second hour his few themes are an assault. With Anthony Zerbe, Bethel Leslie, Art Lund, Philip Bourneuf, Frances Heflin, and Malachy McCourt. Paramount. For a more extended discussion, see Pauline Kael's book Deeper into

    Directed by Rob Garver “The most powerful, loved, and hated film critic of her time.” – Roger Ebert on Pauline Kael (1919-2001). In a field that has historically embraced few women film critics, Kael was charismatic, controversial, witty, and discerning. And the most powerful of those critics was Pauline Kael, who held sway with a sharp tongue and corrosive wit at the New Yorker from 1967 to 1989. To see Rob Garver’s affectionate documentary about her career, “What She Said: The Art of Pauline Kael,” is to be once again swept away by the excitement of cinema as she experienced it.

    Film: The Sound of Music (1965), directed by Robert Wise, written by Ernest Lehman. Based on the stage musical written by Howard Lindsey and Russell Crouse, with music and lyrics by Richard Rodgers and Oscar Hammerstein II. 30/09/2019 · WHAT SHE SAID: THE ART OF PAULINE KAEL opens Wednesday, December 25 at Film Forum DIRECTED AND EDITED BY ROB GARVER “The most …

    The picture is just a flimsy, thrown-together service comedy about smart misfits trying to do things their own way in the Army. But it has a lot of snappy lines (the script is by Len Blum, Dan Goldberg, and Ramis), the director, Ivan Reitman, keeps things hopping (it's untidy but it doesn't lag), and the performers are a wily bunch of professional flakes. Fathers And Sons. by Pauline Kael. At the close of The Godfather, Michael Corleone has consolidated his power by a series of murders and has earned the crown his dead father, Don Vito, handed him.In the last shot, Michael — his eyes clouded — assures his wife, Kay, that he is not responsible for the murder of his sister’s husband.

    The New Yorker’s film critic Pauline Kael (1919-2001), often considered the most influential of all time, battled to make her mark—fueled by brilliance, unshakable self-confidence, a complicated past, and a deep love of the arts. In a field that embraced few female critics, Kael was charismatic, controversial, witty and discerning. Fathers And Sons. by Pauline Kael. At the close of The Godfather, Michael Corleone has consolidated his power by a series of murders and has earned the crown his dead father, Don Vito, handed him.In the last shot, Michael — his eyes clouded — assures his wife, Kay, that he is not responsible for the murder of his sister’s husband.

    03/03/2015 · Back in 1965, eminent film critic Pauline Kael famously called The Sound of Music “the sugar-coated lie that people seem to want to eat.” Worse, she goes on to say, “We have been turned into The real test of a documentary about famed film critic Pauline Kael is: What would Kael think? There’s no telling; she died in 2001. And the critic, best known for her work in The New Yorker

    And the most powerful of those critics was Pauline Kael, who held sway with a sharp tongue and corrosive wit at the New Yorker from 1967 to 1989. To see Rob Garver’s affectionate documentary about her career, “What She Said: The Art of Pauline Kael,” is to be once again swept away by the excitement of cinema as she experienced it. Kiss Kiss Bang Bang (1968) is Pauline Kael's second collection of reviews from 1965 through 1968, compiled from numerous magazines including The Atlantic, Holiday, The New Yorker, Life, Mademoiselle, The New Republic, McCall's, and Vogue.It features her review of The Sound of Music, which she notoriously dubbed "The Sound of Money," sparking outrage from loyal readers of McCall's.

    In this week’s issue, I write about Pauline Kael, who was a New Yorker film critic from 1968 to 1991, and whose reviewing helped establish several movies of the late sixties and seventies as 09/02/1999 · A gift for effrontery Brash, jazzy and passionately idiosyncratic, Pauline Kael set the standard for American movie criticism.--

    The script by Walter Bernstein isn't up to the look of the film, and the music by Henry Mancini is so repetitive that by the second hour his few themes are an assault. With Anthony Zerbe, Bethel Leslie, Art Lund, Philip Bourneuf, Frances Heflin, and Malachy McCourt. Paramount. For a more extended discussion, see Pauline Kael's book Deeper into Indeed, when The Sound of Music was released, the reviews were awful. Pauline Kael trounced it as “mechanically engineered” to transform the audience into “emotional and aesthetic imbeciles

    Everyone Hated ‘The Sound of Music’

    pauline kael sound of music review

    'Band of Outsiders' Review by Pauline Kael The New Republic. Fathers And Sons. by Pauline Kael. At the close of The Godfather, Michael Corleone has consolidated his power by a series of murders and has earned the crown his dead father, Don Vito, handed him.In the last shot, Michael — his eyes clouded — assures his wife, Kay, that he is not responsible for the murder of his sister’s husband., 03/09/2000 · Former editor Robert Stein letter on Kristin Hohenade's August 27 assertion that Pauline Kael's review of Sound of Music cost her job at McCall's (S).

    Pauline Kael Telegraph

    How The Sound of Music led the way for the critic-proof. The real test of a documentary about famed film critic Pauline Kael is: What would Kael think? There’s no telling; she died in 2001. And the critic, best known for her work in The New Yorker, “Star Wars” is like getting a box of Cracker Jack which is all prizes. This is the writer-director George Lucas’s own film, subject to no business interference, yet it’s a film that’s.

    15/12/2018 · By any reasonable critical analysis, The Sound of Music is a terrible movie. With its implausible screenplay, terrible acting, and sugar-shock mawkishness, it has all the earmarks of something that, despite its initial burst of popularity, would be forgotten by the passage of time. Tagged by Roger Ebert as the most influential film critic of her day, the film investigates Pauline Kael's turbulent life and controversial work, through her published writing, letters, never-seen archival footage and interviews with friends and foes of her pen, including Quentin Tarantino and Camille Paglia.

    Review of Stanley Kubrick's Barry Lyndon, written by Pauline Kael and published in The New Yorker, December 29, 1975 The Sound of Music Story by Tom Santopietro.. And when Maria and the von Trapp family make their escape from the Nazis, the film has them walking up the Untersberg outside Salzburg and across the

    Directed by Rob Garver “The most powerful, loved, and hated film critic of her time.” – Roger Ebert on Pauline Kael (1919-2001). In a field that has historically embraced few women film critics, Kael was charismatic, controversial, witty, and discerning. Pauline Kael was born in Petaluma, CA, in 1919, and attended the University of California at Berkeley in the 1930s. She tried and failed to work as a playwright in her 20s, and began writing film reviews as a freelance writer for film journals in the 1950s.

    Pauline Kael (June 19, 1919 – September 3, 2001) is one of the most famous and influential film critics of the twentieth century. She wrote film reviews of essay length for The New Yorker between 1968-1991 after which she retired. Her collected film reviews were … The Sound of Music was not the ill wind that Kael detected but the last gasp of the studio system’s belief in G-rated operettas of inspirational uplift.

    Le réalisateur Quentin Tarantino a avoué lors du Festival de Cannes 2008 que Pauline Kael avait été sa « professeur de cinéma » alors qu'il n'était qu'un adolescent [5]. Pauline Kael décrivit en 1968 le cinéma hollywoodien par une expression devenue célèbre : "Kiss kiss bang bang" [réf. souhaitée]. 15/12/2018 · By any reasonable critical analysis, The Sound of Music is a terrible movie. With its implausible screenplay, terrible acting, and sugar-shock mawkishness, it has all the earmarks of something that, despite its initial burst of popularity, would be forgotten by the passage of time.

    The script by Walter Bernstein isn't up to the look of the film, and the music by Henry Mancini is so repetitive that by the second hour his few themes are an assault. With Anthony Zerbe, Bethel Leslie, Art Lund, Philip Bourneuf, Frances Heflin, and Malachy McCourt. Paramount. For a more extended discussion, see Pauline Kael's book Deeper into 03/09/2000 · Former editor Robert Stein letter on Kristin Hohenade's August 27 assertion that Pauline Kael's review of Sound of Music cost her job at McCall's (S)

    03/09/2000 · Former editor Robert Stein letter on Kristin Hohenade's August 27 assertion that Pauline Kael's review of Sound of Music cost her job at McCall's (S) The Sound of Music Story by Tom Santopietro.. And when Maria and the von Trapp family make their escape from the Nazis, the film has them walking up the Untersberg outside Salzburg and across the

    A 1966 movie review by Pauline Kael on Jean-Luc Godard, who turns 85 today. Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. She was one of the most influential American film critics of her era.

    The Sound of Music Story by Tom Santopietro.. And when Maria and the von Trapp family make their escape from the Nazis, the film has them walking up the Untersberg outside Salzburg and across the Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. She was one of the most influential American film critics of her era.

    In this week’s issue, I write about Pauline Kael, who was a New Yorker film critic from 1968 to 1991, and whose reviewing helped establish several movies of the late sixties and seventies as Film: The Sound of Music (1965), directed by Robert Wise, written by Ernest Lehman. Based on the stage musical written by Howard Lindsey and Russell Crouse, with music and lyrics by Richard Rodgers and Oscar Hammerstein II.

    Her daughter Gina James is a prominent voice in the film and relates that even that august publication didn’t afford Kael a living wage. I vividly recall her firing from McCall’s magazine after a scathing review of The Sound of Music and read about acrimonious meetings of the New York Film Critics Circle where she sparred with Andrew Sarris 04/11/2011 · For the movie version of The Sound of Music, execs at 20th Century Fox first approached Robert Wise (1914-2005), a reliable and chameleonic filmmaker who'd worked in …

    15/12/2018 · By any reasonable critical analysis, The Sound of Music is a terrible movie. With its implausible screenplay, terrible acting, and sugar-shock mawkishness, it has all the earmarks of something that, despite its initial burst of popularity, would be forgotten by the passage of time. 15/12/2018 · By any reasonable critical analysis, The Sound of Music is a terrible movie. With its implausible screenplay, terrible acting, and sugar-shock mawkishness, it has all the earmarks of something that, despite its initial burst of popularity, would be forgotten by the passage of time.

    In fact, in director Rob Garver’s What She Said: The Art of Pauline Kael, we are reminded that Kael saw critics as propagandists for the films they loved and were at risk of being overlooked by the public, and that she would frequently phone up her legion of reviewer disciples (affectionately known as “the Paulettes”) when she was particularly passionate about a movie and encourage them Pauline Kael (June 19, 1919 – September 3, 2001) is one of the most famous and influential film critics of the twentieth century. She wrote film reviews of essay length for The New Yorker between 1968-1991 after which she retired. Her collected film reviews were …

    Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. She was one of the most influential American film critics of her era. Le réalisateur Quentin Tarantino a avoué lors du Festival de Cannes 2008 que Pauline Kael avait été sa « professeur de cinéma » alors qu'il n'était qu'un adolescent [5]. Pauline Kael décrivit en 1968 le cinéma hollywoodien par une expression devenue célèbre : "Kiss kiss bang bang" [réf. souhaitée].

    Read Movie and TV reviews from Pauline Kael on Rotten Tomatoes, where critics reviews are aggregated to tally a Certified Fresh, Fresh or Rotten Tomatometer score. 16/01/2020 · Documentary on the life and writings of Pauline Kael, legendary film critic for The New Yorker magazine. Written and directed by Rob Garver. Opens Friday …

    The real test of a documentary about famed film critic Pauline Kael is: What would Kael think? There’s no telling; she died in 2001. And the critic, best known for her work in The New Yorker Each link contains between 20-30 reviews. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. Enjoy! (To view There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired.

    Pauline Kael movie reviews were never mediocre affairs. That’s because the longtime film critic for The New Yorker (1968 to 1991) filled her work with personal insight, emotion, and a depth rarely seen in modern-day critical musings. Considered the most influential movie reviewer of her time, she’s rivaled only by Roger Ebert in both fame and acclaim from their peers. The picture is just a flimsy, thrown-together service comedy about smart misfits trying to do things their own way in the Army. But it has a lot of snappy lines (the script is by Len Blum, Dan Goldberg, and Ramis), the director, Ivan Reitman, keeps things hopping (it's untidy but it doesn't lag), and the performers are a wily bunch of professional flakes.

    Tagged by Roger Ebert as the most influential film critic of her day, the film investigates Pauline Kael's turbulent life and controversial work, through her published writing, letters, never-seen archival footage and interviews with friends and foes of her pen, including Quentin Tarantino and Camille Paglia. 30/09/2019 · WHAT SHE SAID: THE ART OF PAULINE KAEL opens Wednesday, December 25 at Film Forum DIRECTED AND EDITED BY ROB GARVER “The most …

    Of course, I am not the first to criticize Pauline Kael, for she’s generated quite a few ‘enemies’ throughout her career. In 2004, for instance, Alan Vanneman published a short retrospective of her work [49] that covers her life, her creative troubles from the 50s onward, and her eventual breakthrough as a critic via a published collation of her reviews, which Vanneman quotes quite a bit The picture is just a flimsy, thrown-together service comedy about smart misfits trying to do things their own way in the Army. But it has a lot of snappy lines (the script is by Len Blum, Dan Goldberg, and Ramis), the director, Ivan Reitman, keeps things hopping (it's untidy but it doesn't lag), and the performers are a wily bunch of professional flakes.

    WHAT SHE SAID THE ART OF PAULINE KAEL Trailer YouTube

    pauline kael sound of music review

    Review On One Critic's Life Words and Influence on Film. Each link contains between 20-30 reviews. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. Enjoy! (To view There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired., Le réalisateur Quentin Tarantino a avoué lors du Festival de Cannes 2008 que Pauline Kael avait été sa « professeur de cinéma » alors qu'il n'était qu'un adolescent [5]. Pauline Kael décrivit en 1968 le cinéma hollywoodien par une expression devenue célèbre : "Kiss kiss bang bang" [réf. souhaitée]..

    THE SOUND OF MUSIC (1965) THE UNAFFILIATED CRITIC

    pauline kael sound of music review

    Everyone Hated ‘The Sound of Music’. 2 hours ago · Pauline Kael’s scathing review of The Sound of Music, which led to her firing, illustrates what important principle for critics? https://ast.wikipedia.org/wiki/Citizen_Kane 03/09/2000 · Former editor Robert Stein letter on Kristin Hohenade's August 27 assertion that Pauline Kael's review of Sound of Music cost her job at McCall's (S).

    pauline kael sound of music review

  • Everyone Hated ‘The Sound of Music’
  • The Godfather Part II (1974)- Review by Pauline Kael

  • Pauline Kael movie reviews were never mediocre affairs. That’s because the longtime film critic for The New Yorker (1968 to 1991) filled her work with personal insight, emotion, and a depth rarely seen in modern-day critical musings. Considered the most influential movie reviewer of her time, she’s rivaled only by Roger Ebert in both fame and acclaim from their peers. Review of Stanley Kubrick's Barry Lyndon, written by Pauline Kael and published in The New Yorker, December 29, 1975

    09/02/1999 · A gift for effrontery Brash, jazzy and passionately idiosyncratic, Pauline Kael set the standard for American movie criticism.-- Pauline Kael was born in Petaluma, CA, in 1919, and attended the University of California at Berkeley in the 1930s. She tried and failed to work as a playwright in her 20s, and began writing film reviews as a freelance writer for film journals in the 1950s.

    Her daughter Gina James is a prominent voice in the film and relates that even that august publication didn’t afford Kael a living wage. I vividly recall her firing from McCall’s magazine after a scathing review of The Sound of Music and read about acrimonious meetings of the New York Film Critics Circle where she sparred with Andrew Sarris In her review of the new Pauline Kael biography, Slate’s Dana Stevens says that “if you write about movies in America today (and in the age of the who...

    Indeed, when The Sound of Music was released, the reviews were awful. Pauline Kael trounced it as “mechanically engineered” to transform the audience into “emotional and aesthetic imbeciles And the most powerful of those critics was Pauline Kael, who held sway with a sharp tongue and corrosive wit at the New Yorker from 1967 to 1989. To see Rob Garver’s affectionate documentary about her career, “What She Said: The Art of Pauline Kael,” is to be once again swept away by the excitement of cinema as she experienced it.

    Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. She was one of the most influential American film critics of her era. Each link contains between 20-30 reviews. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. Enjoy! (To view There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired.

    Pauline Kael was born in Petaluma, CA, in 1919, and attended the University of California at Berkeley in the 1930s. She tried and failed to work as a playwright in her 20s, and began writing film reviews as a freelance writer for film journals in the 1950s. And the most powerful of those critics was Pauline Kael, who held sway with a sharp tongue and corrosive wit at the New Yorker from 1967 to 1989. To see Rob Garver’s affectionate documentary about her career, “What She Said: The Art of Pauline Kael,” is to be once again swept away by the excitement of cinema as she experienced it.

    03/03/2015 · Back in 1965, eminent film critic Pauline Kael famously called The Sound of Music “the sugar-coated lie that people seem to want to eat.” Worse, she goes on to say, “We have been turned into Film: The Sound of Music (1965), directed by Robert Wise, written by Ernest Lehman. Based on the stage musical written by Howard Lindsey and Russell Crouse, with music and lyrics by Richard Rodgers and Oscar Hammerstein II.

    Her daughter Gina James is a prominent voice in the film and relates that even that august publication didn’t afford Kael a living wage. I vividly recall her firing from McCall’s magazine after a scathing review of The Sound of Music and read about acrimonious meetings of the New York Film Critics Circle where she sparred with Andrew Sarris Each link contains between 20-30 reviews. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. Enjoy! (To view There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired.

    Tagged by Roger Ebert as the most influential film critic of her day, the film investigates Pauline Kael's turbulent life and controversial work, through her published writing, letters, never-seen archival footage and interviews with friends and foes of her pen, including Quentin Tarantino and Camille Paglia. Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. She was one of the most influential American film critics of her era.

    In fact, in director Rob Garver’s What She Said: The Art of Pauline Kael, we are reminded that Kael saw critics as propagandists for the films they loved and were at risk of being overlooked by the public, and that she would frequently phone up her legion of reviewer disciples (affectionately known as “the Paulettes”) when she was particularly passionate about a movie and encourage them Pauline Kael was born in Petaluma, CA, in 1919, and attended the University of California at Berkeley in the 1930s. She tried and failed to work as a playwright in her 20s, and began writing film reviews as a freelance writer for film journals in the 1950s.

    Film: The Sound of Music (1965), directed by Robert Wise, written by Ernest Lehman. Based on the stage musical written by Howard Lindsey and Russell Crouse, with music and lyrics by Richard Rodgers and Oscar Hammerstein II. In this week’s issue, I write about Pauline Kael, who was a New Yorker film critic from 1968 to 1991, and whose reviewing helped establish several movies of the late sixties and seventies as

    Review of Stanley Kubrick's Barry Lyndon, written by Pauline Kael and published in The New Yorker, December 29, 1975 04/11/2011 · For the movie version of The Sound of Music, execs at 20th Century Fox first approached Robert Wise (1914-2005), a reliable and chameleonic filmmaker who'd worked in …

    “Star Wars” is like getting a box of Cracker Jack which is all prizes. This is the writer-director George Lucas’s own film, subject to no business interference, yet it’s a film that’s > 10 Movies Everyone Enjoys Except Pauline Kael 10 Movies Everyone Enjoys Except Pauline Kael. Posted on May 10, 2016 May 10, 2016 by Rollyn Stafford. 6. Raiders of the Lost Ark (1981) With Raiders of the Lost Ark, Steven Spielberg created one of the most iconic heroes in cinema history; Indiana Jones. Raiders set the bar for adventure/fantasy films, made Harrison Ford even more of Hollywood

    15/12/2018 · By any reasonable critical analysis, The Sound of Music is a terrible movie. With its implausible screenplay, terrible acting, and sugar-shock mawkishness, it has all the earmarks of something that, despite its initial burst of popularity, would be forgotten by the passage of time. 09/02/1999 · A gift for effrontery Brash, jazzy and passionately idiosyncratic, Pauline Kael set the standard for American movie criticism.--

    03/09/2000 · Former editor Robert Stein letter on Kristin Hohenade's August 27 assertion that Pauline Kael's review of Sound of Music cost her job at McCall's (S) In this week’s issue, I write about Pauline Kael, who was a New Yorker film critic from 1968 to 1991, and whose reviewing helped establish several movies of the late sixties and seventies as

    Read Movie and TV reviews from Pauline Kael on Rotten Tomatoes, where critics reviews are aggregated to tally a Certified Fresh, Fresh or Rotten Tomatometer score. A 1966 movie review by Pauline Kael on Jean-Luc Godard, who turns 85 today.

    Pauline Kael (June 19, 1919 – September 3, 2001) is one of the most famous and influential film critics of the twentieth century. She wrote film reviews of essay length for The New Yorker between 1968-1991 after which she retired. Her collected film reviews were … The Sound of Music was not the ill wind that Kael detected but the last gasp of the studio system’s belief in G-rated operettas of inspirational uplift.

    Le réalisateur Quentin Tarantino a avoué lors du Festival de Cannes 2008 que Pauline Kael avait été sa « professeur de cinéma » alors qu'il n'était qu'un adolescent [5]. Pauline Kael décrivit en 1968 le cinéma hollywoodien par une expression devenue célèbre : "Kiss kiss bang bang" [réf. souhaitée]. 30/09/2019 · WHAT SHE SAID: THE ART OF PAULINE KAEL opens Wednesday, December 25 at Film Forum DIRECTED AND EDITED BY ROB GARVER “The most …